Virgin and Child with Two Angels in a Landscape

Executed in oil on panel, the painting employs a subdued palette of browns and greens that lend atmospheric depth. Soft modeling of forms and careful attention to light create a sense of three‑dimensional space, while the restrained coloration reflects the conservative aesthetic of Isenbrandt’s workshop.

Attributed to Adriaen Isenbrandt, a Bruges‑based painter active during the shift from Early Netherlandish to Northern Renaissance styles, the piece likely emerged from his prolific workshop that catered to devotional commissions. It entered the Walters Art Museum collection, where it remains on display as part of the museum’s Flemish holdings.