Madonna and child

The painting's central subject is the Virgin Mary with the infant Jesus, a traditional representation of maternal devotion and divine lineage in Christian art. The inclusion of the donor's name in the title reflects the patronage system prevalent during the period, acknowledging Paolo Casotti's role in the work's creation.

While specific technical details of the painting are not extensively recorded, it is characterized as an oil on panel work, a common medium for Renaissance artists like Previtali. The style is likely consistent with Early Renaissance tendencies, though distinct stylistic elements of the piece are not highlighted in available information.

Commissioned in 1523 by Paolo Casotti, a wealthy Bergamo merchant, the painting remained associated with its patron through its title. It is currently housed at the Accademia Carrara in Bergamo, Italy, where it is accessible to the public.

Created during the Early Renaissance, Madonna and Child reflects the religious and artistic values of 16th-century Bergamo. The work's commission by a local merchant underscores the role of patronage in supporting regional artists like Previtali.

As part of the Accademia Carrara's collection, Madonna and Child contributes to the museum's showcase of Renaissance art, offering insight into Previtali's oeuvre and the artistic landscape of Bergamo during the period. Its enduring presence reflects the continued appreciation for traditional Christian iconography in art historical collections.