Artwork

Enthroned Virgin and Child, with Saints John the Evangelist, Catherine of Alexandria, and Anthony Abbot, and a Saint Reading a Book

Enthroned Virgin and Child, with Saints John the Evangelist, Catherine of Alexandria, and Anthony Abbot, and a Saint Reading a Book, by Defendente Ferrari, unspecified, 1525
Enthroned Virgin and Child, with Saints John the Evangelist, Catherine of Alexandria, and Anthony Abbot, and a Saint Reading a Book, by Defendente Ferrari, unspecified, 1525

Enthroned Virgin and Child, with Saints John the Evangelist, Catherine of Alexandria, and Anthony Abbot, and a Saint Reading a Book is an unspecified painting by the Mannerist artist Defendente Ferrari. It dates from 1525 and is held in the collection of the Philadelphia Museum of Art.

About this work

Overview

Enthroned Virgin and Child, with Saints John the Evangelist, Catherine of Alexandria, and Anthony Abbot, and a Saint Reading a Book is a 1525 painting by Defendente Ferrari, an Italian artist active in Piedmont. The work features the Virgin Mary and the Christ Child enthroned, surrounded by four saints.

Subject & Meaning

The painting depicts a devotional scene with the Virgin and Child at its center, accompanied by identifiable saints: John the Evangelist, Catherine of Alexandria (symbolized by a wheel), Anthony Abbot, and an unidentified saint engaged in reading, emphasizing contemplation and reverence.

Technique & Style

Characterized by bright, vibrant robes and a golden throne, the painting reflects Mannerist influences. The composition incorporates a checkerboard-patterned floor and a distant, subdued landscape background, with the use of golden halos and soft, glowing light contributing to a serene, sacred atmosphere.

History & Provenance

Created in 1525, the painting is now part of the Philadelphia Museum of Art's collection, though its history prior to acquisition is not detailed here.

Artist & collection

Artist

Defendente Ferrari

Defendente Ferrari (c. 1480/1485 – c. 1540) was an Italian painter active in Piedmont. His work marks the transition from late Gothic traditions to Renaissance art in the region.