King Charles I of England

Executed in oil on canvas, the portrait employs a dark, subdued background with a brown curtain that accentuates the illuminated figure. Van Dyck’s handling of texture—especially the sheen of the cloak and the delicate lace—demonstrates his mastery of Baroque chiaroscuro and his ability to render luxurious fabrics.

Painted shortly after van Dyck’s appointment as court painter in England, the portrait entered the Statens Museum for Kunst’s holdings in the 20th century. Its provenance traces back to the English royal collection before being acquired by the Danish museum, where it remains on display.