Artwork
Untitled

Untitled is an ink print by Antonio Segui. It dates from 1978 and is held in the collection of the Museum of Modern Art.
About this work
Overview
Created in 1978, this print by Antonio Seguí combines etching and aquatint techniques to produce a monochromatic image with subtle tonal variations. It is part of the collection at The Museum of Modern Art, where it is cataloged as a work on paper. The composition captures a quiet, urban moment with minimal detail, emphasizing mood over narrative clarity.
Subject & Meaning
A man in a suit, hat, and tie exits a building, clutching a small dog, his posture conveying weariness. His scuffed shoes and the dim interior behind him suggest a routine, perhaps solitary, daily transition. A second figure, barely outlined within the shadows, hints at isolation or unseen connections. The scene evokes urban alienation without overt symbolism, leaving interpretation open.
Technique & Style
Seguí employed fine, irregular lines and patchy aquatint to build texture and depth. The marks resemble spontaneous pen strokes, achieved through acid-bitten metal plates, giving the image a raw, sketch-like quality. Shading is uneven, with areas of dense ink contrasting against sparse, broken lines, enhancing the sense of immediacy and imperfection.
History & Provenance
The work was produced in 1978 and entered The Museum of Modern Art’s collection shortly thereafter. It belongs to a series of prints from Seguí’s late 1970s output, reflecting his interest in everyday urban life. No earlier exhibition or ownership history is publicly documented beyond its acquisition by MoMA.
Context
In the late 1970s, Seguí focused on figures in urban environments, often depicting solitary individuals in transitional moments. His prints from this period align with broader postwar European and Latin American tendencies to portray ordinary life with emotional restraint, avoiding grand narratives in favor of subtle, observational detail.
Legacy
This print contributes to Seguí’s reputation for capturing the quiet rhythms of city life through restrained graphic means. While not widely reproduced, it remains a representative example of his printmaking approach—emphasizing atmosphere and psychological nuance over technical polish, influencing later generations of figurative printmakers.
Artist & collection
Artist
Antonio Hugo Seguí was an Argentine cartoonist, painter, engraver, book illustrator, and sculptor, who lived and worked in Paris.
















