Cyriakus-Folge: Der hl. Cyriakus befreit Jobia vom bösen Geist

Bruyn employs a subtle chiaroscuro, allowing light to model faces and garments while casting deeper shadows that separate the figures from the architectural backdrop of columns and arches. The forms possess a modest three‑dimensionality, and the coloration—gold, white, red, blue, green—remains vivid yet tempered, characteristic of the Mannerist tendency toward elegant elongation and refined surface treatment.

A native of Cologne, Bruyn was renowned for altarpieces and portraiture, earning the reputation of the city’s leading portraitist in his lifetime. After remaining in private collections for several centuries, the painting entered the Alte Pinakothek’s holdings, where it contributes to the museum’s representation of early 16th‑century German religious art.