The Death of Procris

The composition captures the fatal instant of Procris, a figure from Greek legend, as she lies mortally wounded. Surrounding figures display grief and shock, emphasizing the emotional weight of the mythic narrative and underscoring themes of loss and remorse.

West employs a muted palette and careful modeling to convey the solemnity of the scene, adhering to neoclassical ideals of clarity and balance. The oil medium on a wooden panel allows for fine detail, while later additions in 1803 reveal the artist’s evolving approach to composition and lighting.

Born in the American colonies and later based in London, West became the court’s historical painter and a founding member of the Royal Academy. After its completion, the painting entered the collection of the Art Institute of Chicago, where it remains on display.

Created during a period when West was consolidating his reputation as a leading history painter, the work reflects the 18th‑century fascination with classical subjects and moralizing narratives. Its later reworking demonstrates West’s continued engagement with the piece over three decades, aligning with the broader neoclassical revival in British art.