Artwork

Getting Up (Le lever)

Getting Up (Le lever), by Paul-Albert Besnard, ink, 1913
Getting Up (Le lever), by Paul-Albert Besnard, ink, 1913

Getting Up (Le lever) is an ink print by Paul-Albert Besnard. It dates from 1913 and is held in the collection of the National Gallery of Art.

About this work

Overview

Albert Besnard’s print Getting Up (Le lever) is an etching executed on wove paper in 1913. The work presents a solitary figure seated on a bed, partially clothed, with her back turned toward the viewer. A second, upright presence hovers above her, suggesting assistance with the woman’s attire. The composition captures a fleeting, intimate moment through its compact format and limited palette.

Subject & Meaning

The scene portrays a woman in a private, transitional state, her loose hair and half‑undressed form indicating a moment of vulnerability. The upward gesture toward the standing figure implies a collaborative act—perhaps a servant or companion helping her dress—highlighting themes of dependence and the quotidian rituals of personal care.

Technique & Style

Besnard employed drypoint, a variant of intaglio printmaking, in which a needle directly incises lines into a metal plate. This method yields richly textured, burr‑laden strokes that appear rough and spontaneous on the final paper. The uneven, scratchy lines convey immediacy, reinforcing the impression of a quickly rendered sketch rather than a polished finish.

History & Provenance

Created in the pre‑World War I period, Getting Up reflects Besnard’s exploration of everyday subjects through print media. While specific ownership records are scarce, the work has been documented in catalogues of early 20th‑century French prints and is cited in scholarly surveys of Besnard’s lesser‑known graphic output.

Artist & collection

Portrait of Paul-Albert Besnard

Artist

Paul-Albert Besnard

Paul-Albert Besnard (1849–1934) was a French artist, born in 7th arrondissement of Paris.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.