La Place des Martyrs et La Taverne du Bagne (The Place des Martyrs and the Jailhouse Tavern)

Buhot employed a range of printmaking techniques: etching, aquatint, lift-ground aquatint, drypoint, roulette, and burnishing, on cream laid paper. The expressive use of rough lines conveys the crowd's dynamic movement, while dark tones and grainy textures evoke an eerie, antiquated ambiance.

Created in 1885, specific provenance details are not provided in the available information.

The work reflects late 19th-century interests in nocturnal urban landscapes and the everyday life of common people, characteristic of certain Impressionist and Realist themes, though Buhot's style leans towards a more expressive, less naturalistic interpretation.

While specific legacy details of this piece are not provided, Buhot's innovative multi-technique approach in printmaking contributed to the evolution of the medium in the late 19th century.