Who painted Near Gravesend: Souvenir of the Thames?

Near Gravesend: Souvenir of the Thames was painted by Félix-Hilaire Buhot in 1883.

Where can I see Near Gravesend: Souvenir of the Thames?

Near Gravesend: Souvenir of the Thames is held by National Gallery of Art.

What movement is Near Gravesend: Souvenir of the Thames?

Near Gravesend: Souvenir of the Thames is associated with Impressionism.

Can I buy a print of Near Gravesend: Souvenir of the Thames?

Museum-quality prints of Near Gravesend: Souvenir of the Thames are available made-to-order from Artifact World Gallery.

Artwork

Near Gravesend: Souvenir of the Thames

Félix-Hilaire Buhot , 1883

Near Gravesend: Souvenir of the Thames is an ink print by the Impressionist artist Félix-Hilaire Buhot. It dates from 1883 and is held in the collection of the National Gallery of Art.

About this work

Overview

Félix‑Hilaire Buhot’s print Near Gravesgrave: Souvenir of the Thames, executed in 1883, depicts a bustling stretch of the River Thames near Gravesend. The composition juxtaposes a modest rowing boat in the foreground with a massive steamboat emitting dark smoke and a tall sailing vessel passing aloft. Choppy water and a storm‑laden sky heighten the sense of movement and industrial transition.

Subject & Meaning

The scene captures a moment of coexistence between traditional river traffic and the emerging steam age, reflecting the social and technological shifts of late‑19th‑century England. The figures in long coats and hats suggest a leisurely outing, while the looming steamship underscores the encroaching power of mechanised transport, hinting at both progress and disruption.

Technique & Style

Buhot combines etching, drypoint, aquatint and roulette on laid paper, allowing a rich tonal range. Fine drypoint lines render the intricate rigging and clothing, while aquatint washes create atmospheric clouds and water surface. The roulette adds texture to the smoke and wave crests, producing depth beyond simple line work.

History & Provenance

Created in 1883, the print entered the collection of the National Gallery of Art in Washington, D.C., where it remains on view. Its acquisition reflects the museum’s interest in 19th‑century French printmaking and the transnational fascination with industrial river scenes.