Who painted Below Fawn's Leap, Catskill Mountains; and Above the Bridge?

Below Fawn's Leap, Catskill Mountains; and Above the Bridge was painted by Andrew Fisher Bunner in 1866.

Where can I see Below Fawn's Leap, Catskill Mountains; and Above the Bridge?

Below Fawn's Leap, Catskill Mountains; and Above the Bridge is held by National Gallery of Art.

What movement is Below Fawn's Leap, Catskill Mountains; and Above the Bridge?

Below Fawn's Leap, Catskill Mountains; and Above the Bridge is associated with Impressionism.

Artwork

Below Fawn's Leap, Catskill Mountains; and Above the Bridge

Andrew Fisher Bunner , 1866

Below Fawn's Leap, Catskill Mountains; and Above the Bridge is a graphite drawing by the Impressionist artist Andrew Fisher Bunner. It dates from 1866 and is held in the collection of the National Gallery of Art.

About this work

The artist wrote the titles and dates right on the paper—*Below Fawn’s Leap* and *Above the Bridge*, both from July 1866.

This sketch shows two quiet mountain scenes in pencil. One picture has a rocky riverbank with a narrow path winding through trees. The other shows a wooden bridge crossing a shallow stream, surrounded by tall pines and boulders. The lines are loose but careful, capturing light and shadow in a soft, sketchy way.

The artist wrote the titles and dates right on the paper—*Below Fawn’s Leap* and *Above the Bridge*, both from July 1866. The rough, quick strokes suggest they were drawn fast, maybe while traveling.

If you like this style, check out Realism next—it focuses on everyday scenes just like these.

Overview

Andrew Fisher Bunner’s graphite drawing, dated July 1866, presents a pair of tranquil mountain studies. The left panel depicts a rugged riverbank with a narrow, winding path flanked by trees, while the right panel shows a modest wooden bridge spanning a shallow stream amid tall pines and scattered boulders. Both scenes are rendered on wove paper with a light, sketch‑like quality.

Subject & Meaning

The two views capture ordinary aspects of the Catskill landscape: a secluded trail below the feature known as Fawn’s Leap and a simple bridge that offers a crossing point above the water. By focusing on everyday terrain rather than dramatic vistas, the work reflects an interest in the modest, lived experience of the region’s natural environment.

Technique & Style

Executed in graphite, Bunner employs loose yet deliberate strokes that convey form and volume without heavy detailing. The drawing balances line and shading to suggest light falling across rock, water, and foliage, creating a soft contrast between illuminated surfaces and shadowed recesses. The quick, on‑the‑spot execution hints at a travel sketchbook approach.

History & Provenance

The piece bears the artist’s handwritten titles and the date July 1866 directly on the paper, indicating it was likely produced during a field visit. No further ownership records are noted, suggesting it has remained within private or institutional collections since its creation.