Who painted A Capucin bringing thanks of the King of Bavaria [recto]?

A Capucin bringing thanks of the King of Bavaria [recto] was painted by Jacques Callot in 1612.

Where can I see A Capucin bringing thanks of the King of Bavaria [recto]?

A Capucin bringing thanks of the King of Bavaria [recto] is held by National Gallery of Art.

What movement is A Capucin bringing thanks of the King of Bavaria [recto]?

A Capucin bringing thanks of the King of Bavaria [recto] is associated with Baroque.

Artwork

A Capucin bringing thanks of the King of Bavaria [recto]

Jacques Callot , 1612

A Capucin bringing thanks of the King of Bavaria [recto] is an ink print by the Baroque artist Jacques Callot. It dates from 1612 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1612, this etching by Jacques Callot presents a Capuchin monk delivering a message of gratitude from the King of Bavaria. Executed on laid paper, the composition balances a solitary figure with a modestly detailed setting, emphasizing the solemnity of the exchange rather than any grand spectacle.

Subject & Meaning

The central figure, a monk in unadorned habit, holds a written note that signifies the king’s thanks. The work captures a moment of diplomatic courtesy, highlighting the humility of the religious messenger against the backdrop of royal acknowledgment.

Technique & Style

Callot employed the etching process, incising lines into a copper plate before printing onto laid paper. His characteristic precision renders the monk’s garments and facial expression with fine detail, while the surrounding space remains relatively open, a hallmark of his Baroque sensibility.

History & Provenance

Part of Callot’s prolific output of over a thousand prints, this piece reflects his interest in contemporary events and courtly interactions. The etching has been documented in several collections of early 17th‑century French prints, tracing its ownership through European private and institutional holdings.