Artwork

Frontispiece for "The Calendar of Saints"

Frontispiece for "The Calendar of Saints", by Jacques Callot, ink
Frontispiece for "The Calendar of Saints", by Jacques Callot, ink

Frontispiece for "The Calendar of Saints" is an ink print by the Baroque artist Jacques Callot. It is held in the collection of the National Gallery of Art.

About this work

Overview

Frontispiece for 'The Calendar of Saints' is a 1636 etching on laid paper by French Baroque printmaker Jacques Callot, showcasing his mastery of detailed figures set against expansive backgrounds.

Subject & Meaning

The etching depicts a dynamic scene of judgment or victory, with crowds surrounding a tall cross, angels with trumpets and banners, and a cherub holding a scroll inscribed 'Non erit ultra mors' (There will be no more death). While associated with a book on saints, the image conveys a broader theme of dramatic, possibly apocalyptic, triumph.

Technique & Style

Callot employed etching techniques that emphasized sharp, busy lines, achieving a controlled chaotic effect. The use of ink to capture shadows and texture gives the lines a carved appearance, characteristic of his printmaking style.

History & Provenance

Created in 1636 as part of a series, this etching is one of over 1,400 works by Callot, documenting various scenes of his era. It was printed on laid paper, a standard medium for 17th-century printmaking.

Context

This work reflects Callot's broader practice of capturing religious, military, and landscape themes, common in Baroque printmaking. Its inclusion in 'The Calendar of Saints' suggests a religious or devotional context.

Legacy

As part of Callot's extensive oeuvre, 'Frontispiece for The Calendar of Saints' contributes to his reputation as a prolific and skilled old master printmaker, influencing subsequent generations of artists in etching techniques and composition.

Artist & collection

Portrait of Jacques Callot

Artist

Jacques Callot

Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.