Who painted Sermon on the Mount?

Sermon on the Mount was painted by Jacques Callot in 1635.

Where can I see Sermon on the Mount?

Sermon on the Mount is held by National Gallery of Art.

What movement is Sermon on the Mount?

Sermon on the Mount is associated with Baroque.

Can I buy a print of Sermon on the Mount?

Museum-quality prints of Sermon on the Mount are available made-to-order from Artifact World Gallery.

Artwork

Sermon on the Mount

Jacques Callot , 1635

Sermon on the Mount is an ink print by the Baroque artist Jacques Callot. It dates from 1635 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1635, this work is an etching on laid paper by Jacques Callot, a French printmaker active in the Duchy of Lorraine. The image portrays the biblical episode of Jesus delivering the Sermon on the Mount, rendered in the detailed, narrative style for which Callot is known.

Subject & Meaning

The composition focuses on the central figure of Christ addressing a gathered crowd on a hillside, illustrating a key moment from the New Testament. By choosing this religious theme, Callot aligns the print with the devotional practices and scriptural illustration common in early‑17th‑century art.

Technique & Style

Callot employed the etching process, incising lines into a metal plate that were then transferred onto laid paper. This method allowed him to achieve fine, intricate details and to produce multiple impressions, a hallmark of his prolific output of more than a thousand prints.

History & Provenance

The print forms part of Callot’s extensive body of work, which includes depictions of contemporary life, military subjects, and religious narratives. While specific ownership records for this particular impression are scarce, it reflects the broader circulation of his prints across Europe during the Baroque period.

Context

In the early 1630s, the Baroque era emphasized dramatic storytelling and emotional engagement. Callot’s choice of a biblical sermon fits within this milieu, offering a visual meditation on moral instruction that would have resonated with both private collectors and public audiences.