Artwork
The A-Ma temple, Macau, and the nearby rocks, both seen from the bay
The A-Ma temple, Macau, and the nearby rocks, both seen from the bay is a drawing by the Romanticist artist George Chinnery. It dates from 16 and is held in the collection of the Victoria and Albert Museum. This drawing captures the A-Ma temple in Macau and its surroundings from a bay perspective.
About this work
Overview
This drawing captures the A-Ma temple in Macau and its surroundings from a bay perspective. It comprises two views: a primary depiction of the temple and a smaller inset of nearby rocks.
Subject & Meaning
The drawing documents the appearance of the A-Ma temple, sea wall, and Tanka boats in Macau during a particular period. The level of detail provides insight into the historical landscape and maritime activities of the area.
Technique & Style
The artist employed a drawing technique that likely involved hatching or cross-hatching to achieve the desired level of detail and texture, particularly in rendering the temple and boats.
Context
The offshore vantage point offers a unique perspective on the temple and its environment, suggesting the artist was interested in capturing the relationship between the structure and its maritime context.
Artist & collection
Artist
George Chinnery (Chinese: 錢納利; 5 January 1774 – 30 May 1852) was an English painter who spent most of his life in Asia, especially India and southern China.
The A-Ma Temple, Macau
Part of the A-Ma Temple, Macau
The A-Ma temple, Macau
Drawings of the A-Ma temple, Macau
The A-Ma Temple, Macau
The Zhengjiao Chanlin Buddhist Temple, a part of the A-Ma Temple in Macau
Part of the Great Joss House, Inner Harbour, Macao
The main entrance to the A-Ma Temple, Macau
The rocky shore by the A-Ma Temple, Macau
Buildings below the College of S. José, Macau
The main entrance to the A-Ma Temple, Macau
Tanka boats in the Praya Grande, Macau