Part of the A-Ma Temple, Macau

The work is executed in pen with cross‑hatching, a method that builds tonal variation through intersecting lines. This approach allows the artist to render the texture of stone steps, tree trunks, and thatched coverings with a controlled, linear precision.

The drawing is a single sheet, likely produced as a field sketch during a visit to Macau. Its dual‑sided content suggests it functioned as a personal record rather than a formal commission, and it has been retained in a collection that documents early visual surveys of the area.