Les Adieux de Cinq-Mars à Marie d'Entraigues or le Baiser du départ

The composition captures the moment of farewell, emphasizing the emotional tension of a kiss exchanged before separation. By referencing the 17th‑century lovers, Jacquand evokes themes of loyalty, sacrifice, and the personal cost of political intrigue, inviting viewers to contemplate the intimacy behind historic events.

Executed in oil, the painting employs a smooth, academic finish typical of early‑19th‑century French genre painting. Jacquand balances chiaroscuro with delicate coloration to model the figures, while the surrounding interior details provide a narrative context without overwhelming the central emotional exchange.

Since its completion, the canvas has remained in French public collections, eventually entering the holdings of the Musée des beaux‑arts de Lyon. The museum acquired the work as part of its 19th‑century French painting assemblage, where it continues to be displayed among contemporaneous genre scenes.