Artwork

Triumph of Galatea

Triumph of Galatea, by Dominico Cunego, 1750
Triumph of Galatea, by Dominico Cunego, 1750

Triumph of Galatea is a print by Dominico Cunego. It dates from 1750 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Domenico Cunego’s print titled *Triumph of Galatea* is a paper engraving that copies a fresco originally painted for the Barberini Palace. The image belongs to the *Schola Italica Picturæ* series, appearing as plate 8, and translates a Raphael composition into a graphic format.

Subject & Meaning

The composition depicts the sea nymph Galatea triumphantly mounted on a large shell, surrounded by a host of cherubic figures. She brandishes a spear and gazes forward with determination, while winged infants hover above, armed with bows. A fallen cherub rests on the ground, and other attendants appear to guide the shell, suggesting a celebratory procession drawn from classical mythology.

Technique & Style

Cunego employed fine line engraving to render the complex arrangement of figures, using cross‑hatching to model muscular forms and the translucency of water. The print captures Raphael’s balanced composition and graceful movement, translating the fresco’s colour and depth into tonal contrasts on paper.

History & Provenance

Created in the early eighteenth century, the engraving was issued as part of a didactic series intended to disseminate Italian painting models. It reflects the period’s interest in reproducing masterworks for study, and it now resides in the collection of the Victoria and Albert Museum.

Context

The work illustrates the enduring appeal of mythological subjects in Baroque art, where narratives of sea deities were rendered with dynamic vigor. By reproducing Raphael’s design, Cunego contributed to the transmission of High Renaissance ideals across media and generations.

Artist & collection

Artist

Dominico Cunego

Dominico Cunego made 18th-century prints after famous paintings by Raphael and other old masters.