Artwork
La Fornarina
La Fornarina is a print by Dominico Cunego. It dates from 1750 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
La Fornarina is a print on paper, published in 1750 by the Schola Italica Picturæ as plate nine, reproducing Raphael's portrait of a woman traditionally believed to be his mistress.
Subject & Meaning
The print depicts a nude woman seated against a dark background, her body facing forward while her head is turned to the side. Her partially covered form, with a cloth on her head and draped over her left shoulder, suggests a blend of modesty and vulnerability.
Technique & Style
The work employs chiaroscuro to create depth and volume, with smooth, curved lines defining the woman's skin in contrast to the muted, darker background. This technique dramatically highlights her face and body, guiding the viewer's gaze.
History & Provenance
Originally a portrait by Raphael, the image was reproduced as a print in 1750 by the Schola Italica Picturæ, making it more widely accessible.
Context
As a reproduction of a Renaissance portrait, La Fornarina reflects the enduring interest in classical art during the 18th century, facilitated by print publishing.
Legacy
While the print itself may not have significantly altered art historical trajectories, it contributes to the broader dissemination of Raphael's works and the appreciation of Renaissance aesthetics in later periods.
Artist & collection
Artist
Dominico Cunego made 18th-century prints after famous paintings by Raphael and other old masters.
