Artwork

Allons donc, chers confrères...

Allons donc, chers confrères..., by Honoré Daumier, ink, 1845
Allons donc, chers confrères..., by Honoré Daumier, ink, 1845

Allons donc, chers confrères... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1845 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1845, this lithograph by Honoré Daumier depicts three figures in black judicial robes and tall hats clustered together in a heated discussion. The composition is rendered in stark, bold lines that emphasize their exaggerated facial expressions—a shocked look, a frustrated stare, and a wild gesticulation—while the plain background isolates the scene.

Subject & Meaning

The work, titled *Allons donc, chers confrères...* and subtitled "Les Gens de Justice," satirizes members of the legal profession, presenting them as pompous yet inept. By inflating their gestures and expressions, Daumier critiques the self‑importance and perceived incompetence of judges or lawyers, aligning the image with his broader use of caricature to question authority.

Technique & Style

Executed as a lithograph, the image relies on strong, unmodulated lines characteristic of Daumier’s printmaking. The medium allowed him to produce sharp contrasts and rapid, expressive strokes, which heighten the comic distortion of the figures while maintaining a clear, readable silhouette suitable for reproduction in the popular journals of his day.

Context

The print belongs to Daumier’s long series of satirical illustrations for Parisian periodicals such as *La Caricature* and *Le Charivari*. Produced during a turbulent era that encompassed the July Revolution of 1830 and the eventual collapse of the Second French Empire, the work reflects the artist’s ongoing engagement with political and social commentary through humor and visual exaggeration.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.