Artwork
Examinant le nouveau plafond ...

Examinant le nouveau plafond ... is an ink print by the Impressionist artist Honoré Daumier. It dates from 1852 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s lithograph titled *Examinant le nouveau plafond* presents a compact group portrait of five men, shown from the waist upward, all looking upward toward an unseen ceiling. The figures are rendered in the crisp, linear style characteristic of Daumier’s print work, and the composition isolates their faces and gestures against a scarcely detailed interior background.
Subject & Meaning
The men, dressed in formal mid‑nineteenth‑century attire with top hats and tailored coats, display a range of ages and expressions that suggest a cross‑section of the contemporary elite. Their upward gaze and attentive posture imply a collective scrutiny of something presented above them, inviting interpretation of the scene as a commentary on the pretensions of authority and expertise.
Technique & Style
Executed as a lithograph, the image relies on bold line work and limited tonal variation to delineate clothing, facial features, and the faint suggestion of an indoor space. Daumier’s economical rendering emphasizes the characters’ expressions—one figure squints, another adjusts spectacles—while the minimal background directs the viewer’s focus to the group’s interaction.
Context
Created during Daumier’s prolific period of social satire, the print aligns with his broader practice of critiquing the bourgeoisie and institutional power through caricature and observation. The work reflects the artist’s interest in depicting public figures in moments of self‑importance, a recurring theme in his prints that documented everyday French society.
Legacy
*Examinant le nouveau plafond* remains a representative example of Daumier’s ability to combine precise draftsmanship with pointed social commentary.
*Examinant le nouveau plafond* remains a representative example of Daumier’s ability to combine precise draftsmanship with pointed social commentary. The lithograph is held in several public collections, including the National Gallery of Art in Washington, where it contributes to the understanding of mid‑19th‑century French print culture and its critical engagement with contemporary power structures.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.











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