Artwork
Inconvénient de mettre son logement...

Inconvénient de mettre son logement... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1847 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s 1847 lithograph titled *Inconvénient de mettre son logement…* is a satirical print that exemplifies his work as a prolific caricaturist for mid‑nineteenth‑century French journals such as *La Caricature* and *Le Charivari*. The image uses humor to comment on everyday difficulties, reflecting Daumier’s broader engagement with social and political critique.
Subject & Meaning
The scene depicts a man in a long coat and top hat standing before a door, his gaze fixed outward through a nearby window. His tense posture and inquisitive expression suggest a tenant’s anxiety about the conditions of his lodging, a motif Daumier employs to lampoon the inconveniences imposed by landlords and the housing market.
Technique & Style
Executed in lithography, the print displays Daumier’s characteristic attention to detail, from the folds of the coat to the architectural elements of the interior. The realistic rendering of clothing and space grounds the satire in a recognizable domestic setting, while the crisp lines of the lithographic process enhance the visual humor.
History & Provenance
Created during a period when Daumier was actively contributing to satirical newspapers, the lithograph circulated among the readership of those publications. Its distribution as a print allowed it to reach a broad audience, reinforcing Daumier’s reputation as a commentator on the everyday struggles of the French populace.
Context
The work aligns with Daumier’s republican convictions, which opposed the monarchy, aristocracy, and clerical authority. By focusing on a tenant’s plight, the image subtly critiques the social hierarchy that privileged property owners and highlights the precarious position of the urban middle class in 1840s France.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.



















