L'Entrée du Grand tunnel d'un chemin de fer

Executed as a lithograph on cheap newspaper paper, the work employs bold line work and stark contrasts typical of Daumier’s printmaking. The medium allowed rapid production for mass‑circulation, while the Romantic emphasis on emotion is evident in the dramatic lighting of the dim interior and the expressive gestures of the figures.

Daumier produced the image during his regular contributions to satirical journals such as *La Caricature* and *Le Charivari*. The print was intended for a newspaper audience, reflecting his practice of commenting on contemporary developments—here, the expansion of rail infrastructure—through accessible visual satire.

Created at a time when France was undergoing rapid industrialization, the lithograph documents the societal impact of railways, a symbol of modernity and progress. By depicting well‑dressed passengers, Daumier highlights how new technology intersected with everyday life across social classes, aligning the work with broader Romantic interests in the awe of technological change.