Artwork

Invasion de Paris par les Bas-Normands

Invasion de Paris par les Bas-Normands, by Honoré Daumier, ink, 1852
Invasion de Paris par les Bas-Normands, by Honoré Daumier, ink, 1852

Invasion de Paris par les Bas-Normands is an ink print by the Impressionist artist Honoré Daumier. It dates from 1852 and is held in the collection of the National Gallery of Art.

About this work

Overview

Invasion de Paris par les Bas-Normands is a lithograph created by Honoré Daumier in 1852, exemplifying his satirical commentary on French politics and social structures of the time.

Subject & Meaning

The print depicts four men in antiquated attire on a stage, with one holding a sign featuring a train, amidst blurry background figures and a cloudy sky. The scene satirically portrays a supposed 'invasion' of Paris by individuals from Lower Normandy, likely critiquing regional or class tensions prevalent during the mid-19th century.

Technique & Style

Daumier employed quick, sketchy lines to convey a lively and exaggerated atmosphere, characteristic of his caricature style. The lithographic technique allowed for mass production, facilitating the dissemination of his political and social commentary through publications.

History & Provenance

Created in 1852, this work aligns with Daumier's republican democratic beliefs, opposing monarchy, aristocracy, and clergy. It was likely published in satirical journals such as La Caricature or Le Charivari, though specific provenance details are not provided.

Context

The inclusion of a train on the sign references the novelty and excitement surrounding railroad technology in 19th-century France, adding a layer of contemporary relevance to the satire.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.