Tenez, je viens de tuer un magnifique ...

Executed as a lithograph, the work relies on the artist’s drawing on a stone surface and subsequent chemical processing to produce the final print. Daumier’s handling of line and tonal variation creates depth and immediacy, while the stark monochrome palette accentuates the figures against the open setting, a hallmark of his graphic approach.

Created during Daumier’s prolific period of printmaking in the mid‑19th century, the lithograph reflects his interest in genre scenes and social commentary. It was produced in limited numbers, typical of his workshop practices, and has since entered public and private collections that specialize in French realist prints.

The work belongs to a broader tradition of French rural genre art, where hunting scenes served both as documentation of country life and as subtle critique of class dynamics. Daumier, known for his satirical observations, uses this modest tableau to comment on the dignity and humor found in ordinary labor and leisure.