Artwork
Voila pourtant ce qu'on est convenu d'appeler ...

Voila pourtant ce qu'on est convenu d'appeler ... is an ink print by the Impressionist artist Honoré Daumier. It dates from 1855 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumée’s lithograph, titled *Voila pourtant ce qu’on est convenu d’appeler…*, presents a brief scene of two men walking together in the countryside, accompanied by a shaggy dog. The composition is set beneath a cloudy sky, and a caption beneath the image offers a wry comment on the emotions associated with hunting.
Subject & Meaning
The work portrays a hunting party in a moment of pause: one figure scratches his head while the other glances at a pocket watch, suggesting a mixture of boredom and preoccupation. The accompanying text, rendered in Daumée’s characteristic satirical tone, undercuts any romantic notion of the hunt, hinting at a subtle critique of its supposed thrills.
Technique & Style
Executed in lithography, the print relies on Daumée’s precise line work to render textures such as the dog’s tangled fur and the hunters’ worn boots. The stark contrasts of black ink against the paper surface create a crisp, almost caricatural effect, while the composition balances realistic detail with the artist’s habitual humor.
History & Provenance
Daumée produced more than four thousand lithographs during his career, many of which lampooned everyday French life. This particular piece belongs to that extensive series of social commentary, though specific details of its original publication or ownership remain undocumented in the available records.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.



















