Artwork

Samuel Clarke, Minister of Saint Benet Fink, Biographer

Samuel Clarke, Minister of Saint Benet Fink, Biographer, by John Dunstall, ink, 1675
Samuel Clarke, Minister of Saint Benet Fink, Biographer, by John Dunstall, ink, 1675

Samuel Clarke, Minister of Saint Benet Fink, Biographer is an ink print by the Baroque artist John Dunstall. It dates from 1675 and is held in the collection of the National Gallery of Art.

About this work

Overview

Samuel Clarke, Minister of Saint Benet Fink, Biographer is an engraving created by John Dunstall in 1675, depicting its eponymous subject in a contemplative pose.

Subject & Meaning

The engraving portrays Samuel Clarke, a minister and biographer, engaged in a literary activity, symbolizing his intellectual pursuits. Above him, two shields display heraldic symbols: a fleur-de-lis and a lion-adorned coat of arms, likely signifying lineage or affiliations.

Technique & Style

Executed in fine lines characteristic of 17th-century engraving, the work captures Clarke's calm yet intense expression through meticulously rendered facial details. The artist's use of dark and light contrasts enhances the subject's solemnity.

History & Provenance

Created in 1675 by John Dunstall, the engraving features a poem below the image, signed by both the artist (John Dunstall) and an individual identified as J.C.A.M., whose role in the work remains unspecified.

Context

This piece reflects the 17th-century tradition of portrait engravings honoring clergy and scholars, emphasizing their scholarly and religious devotion through symbolic attributes like the quill and paper.

Legacy

While specific lasting impacts of this engraving are not widely documented, it contributes to the broader historical record of Samuel Clarke and the artistic practices of its time, particularly in the detailed representation of individuals of religious and literary significance.

Artist & collection

Artist

John Dunstall

John Dunstall (1683–1683) was an artist.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.