Who painted Three Crowns Supported by Two Sceptres [right half]?

Three Crowns Supported by Two Sceptres [right half] was painted by Dutch 17th Century in 1650.

Where can I see Three Crowns Supported by Two Sceptres [right half]?

Three Crowns Supported by Two Sceptres [right half] is held by National Gallery of Art.

What movement is Three Crowns Supported by Two Sceptres [right half]?

Three Crowns Supported by Two Sceptres [right half] is associated with Baroque.

Artwork

Three Crowns Supported by Two Sceptres [right half]

Dutch 17th Century , 1650

Three Crowns Supported by Two Sceptres [right half] is an ink print by the Baroque artist Dutch 17th Century. It dates from 1650 and is held in the collection of the National Gallery of Art. The work is a small, circular engraving executed on a silver medal.

About this work

Overview

The work is a small, circular engraving executed on a silver medal. At its core three crowns rest upon two elongated sceptres, surrounded by a dense arrangement of geometric motifs such as triangles, circles and star‑like forms. The rim of the disc is further embellished with a crescent, a sun and a stylised bird‑like figure.

Subject & Meaning

The central crowns and sceptres likely symbolize authority and sovereignty, while the surrounding celestial symbols—sun, moon, and winged creature—suggest a connection between earthly power and the divine or cosmic order. The compact composition reflects a heraldic tradition of encoding status through emblematic imagery.

Technique & Style

The image is rendered through cross‑hatching, a method that builds tonal depth by layering fine, parallel lines. This approach creates subtle shadows and a sense of three‑dimensionality within the limited surface of the medal, characteristic of the meticulous engraving practices of the Baroque period.

History & Provenance

Produced as a pulled engraving from a silver medal, the piece belongs to a tradition of metal‑based printmaking where the original metal work serves as a matrix for multiple impressions. Such medals were often commissioned for ceremonial or commemorative purposes, though specific patronage for this item is not recorded.