Untitled (Landscape with Fisherman)

Farrer employed both etching and drypoint methods, combining acid‑etched lines with the burr‑rich, velvety strokes of a drypoint needle. This dual approach allows for precise detailing of foliage and water surface, while the softer drypoint areas convey atmospheric light and texture—a characteristic approach among late‑19th‑century printmakers seeking to capture fleeting visual impressions.

The print was produced in the United States during a period when American artists were increasingly exploring printmaking as a means of documenting everyday scenes. While specific ownership records are limited, the work is representative of Farrer's broader output in the 1880s, a decade marked by his active engagement with the etching revival and the dissemination of his images through small‑edition prints.