Artwork

Pietà (1ère planche) (Pietà) (first plate)

Pietà (1ère planche) (Pietà) (first plate), by Jean-Louis Forain, ink, 1910
Pietà (1ère planche) (Pietà) (first plate), by Jean-Louis Forain, ink, 1910

Pietà (1ère planche) (Pietà) (first plate) is an ink print by Jean-Louis Forain. It dates from 1910 and is held in the collection of the National Gallery of Art.

About this work

Jean-Louis Forain’s 1910 drypoint shows the Virgin Mary cradling Christ after the Crucifixion.

Jean-Louis Forain’s 1910 drypoint shows the Virgin Mary cradling Christ after the Crucifixion. Her face is calm but lined with quiet grief. The background is almost blank, so the light and dark lines do the talking.

Forain loved printmaking for its sharp contrasts. He used drypoint to scratch lines into metal, then inked the plate to make prints. The scratches catch light differently than a brush would.

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Overview

Pietà (1ère planche) is a 1910 drypoint print by French artist Jean-Louis Forain, created on wove paper. It is one of a series of etchings and drypoints Forain produced in the early 20th century.

Subject & Meaning

The print depicts the Virgin Mary holding the body of Christ after the Crucifixion. Mary's face is calm yet etched with subtle sorrow, conveying a poignant emotional depth.

Technique & Style

Forain employed drypoint technique, scratching lines into a metal plate to create the print. This method allowed for sharp contrasts between light and dark, a characteristic Forain valued in printmaking.

Artist & collection

Portrait of Jean-Louis Forain

Artist

Jean-Louis Forain

Jean-Louis Forain (French pronunciation: ; 23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.