Frans Floris. Hunter with falcon

Floris employs the meticulous oil technique characteristic of the Northern Renaissance, rendering textures such as the sheen of leather, the softness of fur, and the delicate plumage of the bird with fine detail. The composition balances a restrained palette with precise modeling, highlighting the realism prized by Flemish painters of the period.

Created in 1558, the painting entered the collection of the Herzog Anton Ulrich Museum, where it remains on display. Its early ownership records are sparse, but the work has been documented in European museum catalogues since the 19th century, confirming its attribution to Floris.

During the mid‑16th century, Flemish artists like Floris incorporated Italianate influences while retaining the detailed observation of Northern art. The subject of a hunter with a falcon aligns with contemporary interest in courtly pursuits and the depiction of individualized portraiture within a narrative setting.