Who painted La statue du dieu Pan (Statue of the God Pan)?

La statue du dieu Pan (Statue of the God Pan) was painted by French 18th Century in 1750.

Where can I see La statue du dieu Pan (Statue of the God Pan)?

La statue du dieu Pan (Statue of the God Pan) is held by National Gallery of Art.

What movement is La statue du dieu Pan (Statue of the God Pan)?

La statue du dieu Pan (Statue of the God Pan) is associated with Baroque.

Artwork

La statue du dieu Pan (Statue of the God Pan)

French 18th Century , 1750

La statue du dieu Pan (Statue of the God Pan) is an ink print by the Baroque artist French 18th Century. It dates from 1750 and is held in the collection of the National Gallery of Art. The print, titled *La statue du dieu Pan*, presents a tranquil garden scene framed by a stone wall.

About this work

Overview

The print, titled *La statue du dieu Pan*, presents a tranquil garden scene framed by a stone wall. A woman in a pink dress sits on a bench with a small dog, while a man in a blue coat gestures toward a partially concealed statue. A second woman, wearing a white hat, leans forward to view the same figure, creating a quiet moment of shared observation.

Subject & Meaning

The central focus of the composition is the hidden statue of Pan, the half‑goat, half‑human deity of rustic music and nature. By positioning the figures around the statue, the artist suggests a dialogue between human leisure and the mythic presence of the wild, inviting viewers to contemplate the interplay of cultivated garden space and untamed mythic forces.

Technique & Style

Executed in color aquatint and etching, the work employs soft tonal washes and delicate line work to render the garden’s foliage and the figures’ clothing. The aquatint provides a muted, atmospheric background, while the etched lines define the forms, allowing subtle shading to convey depth and a sense of calm illumination across the scene.

Context

The print belongs to a tradition of 19th‑century French printmaking that combined narrative genre scenes with classical references. By integrating a mythological statue within a contemporary garden setting, the artist reflects the period’s fascination with antiquity and the romantic ideal of nature as a space for contemplation and cultural reflection.