The Infant Samuel brought by Hanna to Eli

Van den Eeckhout employs a pronounced chiaroscuro, using deep shadows against a limited light source to model the figures and suggest three‑dimensional space. The interior is rendered with a high ceiling, a heavy curtain, and modest objects—a book, a candle—creating a restrained yet atmospheric setting typical of mid‑17th‑century Dutch religious painting.

Created in 1660, the painting later entered the collection of the Ashmolean Museum, where it remains on display. Van den Eeckhout, known also for his etchings and his role as an art adviser and collector, produced this work during a period when he was establishing his reputation independent of his master, Rembrandt.