Artwork

Print Collection

Print Collection, by Daniel Havell, 1850
Print Collection, by Daniel Havell, 1850

Print Collection is a print by Daniel Havell. It dates from 1850 and is held in the collection of the Victoria and Albert Museum. This print presents a view of Astley's Amphitheatre, a notable 19th‑century London venue for circus and theatrical performances.

About this work

Overview

This print presents a view of Astley's Amphitheatre, a notable 19th‑century London venue for circus and theatrical performances. The image is the work of Daniel Havell, who both sketched the scene and executed the engraving, resulting in a single‑plate print that captures the building’s distinctive circular form and surrounding urban context.

Subject & Meaning

The composition focuses on the exterior of Astley's Amphitheatre, highlighting its architectural features such as the dome and entrance arches. By portraying this entertainment hub, the print reflects contemporary public interest in popular leisure spaces and serves as a visual record of a cultural landmark that attracted audiences from across the city.

Technique & Style

Havell employed traditional line engraving techniques, transferring his initial drawing onto a copper plate before incising the image with a burin. The resulting work displays fine cross‑hatching and varied line density to suggest depth and texture, characteristic of early‑19th‑century British printmaking that balanced documentary precision with artistic rendering.

History & Provenance

Created during the period when Astley's Amphitheatre was at the height of its fame, the print was likely produced for sale to visitors and collectors interested in urban scenes. While specific ownership details are scarce, prints of this type were commonly distributed through print shops and may have entered museum collections through 19th‑century acquisitions of popular ephemera.

Artist & collection

Artist

Daniel Havell

Daniel Havell spent his life quietly printing books, not signing them. His engravings hum with tiny details—flora, fabrics, faces—so crisp you can almost hear the paper whisper. Flip through the 1826 “Print Collection”…