Princess Margaret Dolgorukaya (1785-1814), née Apayschikova

Executed in oil paint, the portrait employs a limited palette dominated by deep shadows that frame the figure. Careful modeling of the face and hands reveals a meticulous handling of light, while the textured rendering of the puffy sleeves and fabric folds demonstrates a keen attention to material detail typical of late‑18th‑century Russian portraiture.

Created during the early 19th century, the painting entered the collection of the Tretyakov Gallery, Moscow, where it remains on display. Its provenance traces back to the Dolgorukov family, reflecting the practice of preserving aristocratic likenesses within private and later public holdings.

The portrait reflects the aesthetic conventions of Russian high society in the period following Catherine the Great, when Western European artistic influences merged with local courtly traditions. Such individual portraits served both as personal commemorations and as visual affirmations of lineage within the noble hierarchy.