Who painted The Medalist Raumund Faltz (1658-1703)?

The Medalist Raumund Faltz (1658-1703) was painted by Unknown in 1700.

Where can I see The Medalist Raumund Faltz (1658-1703)?

The Medalist Raumund Faltz (1658-1703) is held by Gemäldegalerie Berlin.

What movement is The Medalist Raumund Faltz (1658-1703)?

The Medalist Raumund Faltz (1658-1703) is associated with Rococo painting.

Artwork

The Medalist Raumund Faltz (1658-1703)

Unknown , 1700

The Medalist Raumund Faltz (1658-1703) is an unspecified painting by the Rococo painting artist Unknown. It dates from 1700 and is held in the collection of the Gemäldegalerie Berlin. The work is an oval oil portrait dating from the late 17th to early 18th century, depicting a male sitter from the chest upward.

About this work

Overview

The work is an oval oil portrait dating from the late 17th to early 18th century, depicting a male sitter from the chest upward. He faces the viewer directly, his curly hair and lace collar framing a neutral expression, while a dark garment falls across his left shoulder against a muted grey background.

Subject & Meaning

The sitter is identified as the medalist Raumund Faltz, whose profession suggests a connection to the world of numismatics and fine engraving. The straightforward gaze and restrained demeanor convey a sense of professional composure rather than personal narrative.

Technique & Style

The painter employs chiaroscuro, using subtle contrasts of light and shadow to model the face and give the figure a three‑dimensional presence. The limited palette of dark jacket, lace white, and grey backdrop focuses attention on texture and form rather than decorative detail.

History & Provenance

Created between 1658 and 1703, the portrait likely originated in a German‑speaking region where Faltz was active. Its oval format and the inclusion of a lace collar align with contemporary portrait conventions for artisans and scholars.

Context

During the period, portraiture often served to document the status and identity of skilled practitioners. The emphasis on the sitter’s attire and the subdued background reflects a broader trend of presenting individuals as dignified representatives of their trade.