Who painted Tantric Manuscript "Sangrahani Sutra"?

Tantric Manuscript "Sangrahani Sutra" was painted by Unknown.

Where can I see Tantric Manuscript "Sangrahani Sutra"?

Tantric Manuscript "Sangrahani Sutra" is held by Detroit Institute of Arts.

Artwork

Tantric Manuscript "Sangrahani Sutra"

Tantric Manuscript "Sangrahani Sutra" is an unspecified painting by Unknown. It is held in the collection of the Detroit Institute of Arts. The work known as the Tantric Manuscript “Sangrahani Sutra” is a painted manuscript associated with tantric Buddhist traditions.

About this work

Overview

It comprises illustrated pages that convey ritual instructions and doctrinal teachings, typical of the genre that blends textual content with visual symbolism.

The work known as the Tantric Manuscript “Sangrahani Sutra” is a painted manuscript associated with tantric Buddhist traditions. It comprises illustrated pages that convey ritual instructions and doctrinal teachings, typical of the genre that blends textual content with visual symbolism. The manuscript’s format suggests it was intended for use by practitioners familiar with esoteric practices, serving both as a guide and a devotional object.

Subject & Meaning

The “Sangrahani Sutra” presents a series of iconographic scenes that depict deities, mandalas, and ritual implements central to tantric worship. Each illustration corresponds to passages of the sutra, reinforcing the theological concepts of transformation and the integration of spiritual and material realms. The visual program functions as a meditative aid, guiding the viewer through stages of contemplation outlined in the text.

Technique & Style

Executed on paper using mineral pigments and ink, the manuscript reflects the meticulous brushwork characteristic of South Asian tantric art. The color palette is dominated by deep reds, blues, and gold, applied in layered washes to achieve a luminous effect. Decorative borders and intricate patterns frame the central images, demonstrating a synthesis of textual calligraphy and ornamental design typical of 12th‑ to 14th‑century manuscript production.