Artwork

Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560
Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This object is a single leaf from the illustrated manuscript known as Tales of a Parrot (Tuti‑nama).

About this work

Overview

This object is a single leaf from the illustrated manuscript known as Tales of a Parrot (Tuti‑nama). The page measures a modest size, its surface a warm, off‑white paper edged with a subtle golden border. The entire surface is occupied by dense black script arranged in tight, orderly rows, suggesting its function as a textual page rather than a decorative illustration.

Subject & Meaning

The text is written in a traditional script that reads from right to left, indicating its cultural origin in a region where such directionality is customary. While the exact content of the passage is not specified, the title of the manuscript implies a narrative or poetic work centered on a parrot, a motif often employed in folklore to convey moral or didactic themes.

Technique & Style

The calligraphy appears meticulously hand‑drawn, each character formed with precise, uniform strokes. The paper’s background is lightly speckled with tiny gold or brown flecks, providing a faint texture that does not compete with the legibility of the script. The golden border frames the page, adding a modest decorative element typical of manuscript production.

History & Provenance

The page is part of the collection of the Cleveland Museum of Art, where it is displayed as an example of manuscript culture. Its acquisition history, dating, and previous ownership are not detailed in the available information, but its presence in a major U.S. museum indicates recognition of its cultural and artistic value.

Context

Manuscript pages such as this one were produced before the widespread use of printing, requiring skilled scribes to copy texts by hand. The right‑to‑left orientation places the work within a broader tradition of Middle Eastern, South Asian, or Central Asian literary practices, where such scripts were common for religious, poetic, and narrative works.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.