Who painted Horae Beatae Mariae Virginis?

Horae Beatae Mariae Virginis was painted by Unknown in 1550.

Where can I see Horae Beatae Mariae Virginis?

Horae Beatae Mariae Virginis is held by Brooklyn Museum.

What movement is Horae Beatae Mariae Virginis?

Horae Beatae Mariae Virginis is associated with Early Baroque Italian.

Artwork

Horae Beatae Mariae Virginis

Unknown , 1550

Horae Beatae Mariae Virginis is an unspecified painting by the Early Baroque Italian artist Unknown. It dates from 1550 and is held in the collection of the Brooklyn Museum.

About this work

Overview

The work titled *Horae Beatae Mariae Virginis* presents a tranquil Nativity scene. Central figures are the Virgin Mary, clad in a blue robe, and Saint Joseph, dressed in a green over‑red tunic, gathered around the infant Jesus lying in a manger. The composition is framed by an elaborate border featuring floral motifs and tiny birds, reinforcing the serene atmosphere.

Subject & Meaning

The painting focuses on the birth of Christ, emphasizing the humility and sanctity of the event. The surrounding foliage and flowers, along with the gentle postures of Mary and Joseph, convey a sense of reverence and peaceful devotion, inviting contemplation of the holy family's modest circumstances.

Technique & Style

A restrained palette of muted tones dominates the surface, creating a calm visual effect. Subtle shading and delicate texturing give the figures a modest three‑dimensional presence, while the intricate border demonstrates careful attention to decorative detail. The overall style balances realism with a gentle, idealized representation.

History & Provenance

No specific details regarding the painting’s date, creator, or ownership history are provided in the source material, limiting the ability to trace its provenance or contextual background.

Context

The depiction aligns with traditional Christian iconography of the Nativity, employing conventional symbols such as the manger, floral surroundings, and the presence of the Virgin and Saint Joseph. The decorative border reflects a common practice in devotional artworks intended for private contemplation.

Legacy

Without further information on the artwork’s influence or exhibition history, its impact on later artistic developments cannot be assessed from the available facts.