Artwork

Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560
Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This object is a single leaf from the manuscript known as *Tales of a Parrot* (Tuti‑nama).

About this work

The text appears to be a story or poem, but it's hard to tell what it's about without being able to read the language.

This painting is a page from an old book, titled "Tales of a Parrot (Tuti-nama)". The page is filled with handwritten text in a language that looks like Arabic or Persian. The text is written in black ink on a yellowed paper background, with some red and blue lines around the edges. The handwriting is decorative and intricate, with many flourishes and ornaments. The text appears to be a story or poem, but it's hard to tell what it's about without being able to read the language. The page is quite old, dating back to 1560, and it's now held at the Cleveland Museum of Art. If you want to learn more about this style of art, you might want to look up the artist who created it.

Overview

This object is a single leaf from the manuscript known as *Tales of a Parrot* (Tuti‑nama). The page measures roughly the size of a typical 16th‑century codex leaf and is composed of yellowed paper bearing dense handwritten text. The script is rendered in black ink, framed by thin red and blue lines that trace the page margins, giving the leaf a decorative border.

Subject & Meaning

The text appears to be a narrative or poetic composition, written in a language that follows Arabic‑Persian script conventions. While the precise content cannot be identified without translation, the title of the manuscript suggests a collection of stories involving a parrot, a common motif in Persian literary tradition that often conveys moral or didactic themes.

Technique & Style

The calligraphy is executed in a highly ornamental hand, featuring numerous flourishes, ligatures, and marginal embellishments. Black ink provides the primary visual weight, while the red and blue linear accents serve as a subtle chromatic highlight. The paper’s aged, yellowed tone indicates a natural cellulose substrate typical of mid‑16th‑century Persian book production.

History & Provenance

The leaf has been dated to circa 1560, placing it within the Safavid period of Iran. It entered the collection of the Cleveland Museum of Art, where it is catalogued as part of the museum’s manuscript holdings. The acquisition details are recorded in the museum’s accession records, confirming its provenance from the early modern Persian book trade.

Context

During the 16th century, illustrated manuscripts such as *Tuti‑nama* were produced for elite patrons interested in literary entertainment and moral instruction. The use of decorative calligraphy and colored marginal lines reflects contemporary aesthetic preferences for richly adorned texts, aligning the work with broader trends in Persian book arts of the Safavid era.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.