Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This object is a single folio from the illustrated manuscript known as *Tales of a Parrot* (Tuti‑nama).
About this work
Overview
This object is a single folio from the illustrated manuscript known as *Tales of a Parrot* (Tuti‑nama). The sheet consists solely of handwritten text, presented in dense black calligraphic script arranged in tight, orderly rows and bordered by a thin red line. The paper exhibits a warm, antiquated tone, indicating considerable age.
Subject & Meaning
The verses were composed for a patron named Prince Salim, though the specific narrative content cannot be discerned from the visual alone. The emphasis lies in the literary composition itself, reflecting the courtly practice of commissioning personalized poetic works.
Technique & Style
The script exemplifies refined Persian calligraphy, characterized by fluid curves, looping terminals, and a consistent baseline. The precision of the letterforms demonstrates the scribe’s mastery of the art of writing, where the visual quality of the text is treated as a decorative element.
History & Provenance
Created as part of a larger manuscript, this page likely originated in a Persian workshop serving elite patrons. Its association with Prince Salim situates it within the cultural milieu of the Safavid or Mughal courts, where such personalized literary gifts were common.
Context
*Tuti‑nama* is a collection of moral and romantic tales traditionally illustrated with miniature paintings. While this particular folio lacks imagery, it would have originally been integrated with visual scenes, forming a combined textual‑visual narrative typical of Persian literary manuscripts.
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