Artwork

Initial "V" from the commentary of Nehemiah, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra

Initial "V" from the commentary of Nehemiah, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, unspecified, 1360
Initial "V" from the commentary of Nehemiah, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, unspecified, 1360

Initial "V" from the commentary of Nehemiah, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra is an unspecified painting. It dates from 1360 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This illuminated leaf is a decorative initial “V” taken from the Postilla Litteralis, a literal commentary on the biblical book of Nehemiah attributed to the medieval exegete Nicholas of Lyra. The page belongs to a set of six illustrated folios that punctuate the text with elaborate miniatures.

Subject & Meaning

Within the oversized initial, a compact scene unfolds in a garden‑like courtyard where a small group of figures in richly patterned robes gather. The composition likely visualizes a narrative episode from Nehemiah, though the precise biblical moment is not identified, serving primarily to embellish the script and guide the reader’s eye.

Technique & Style

The miniature employs the vivid palette typical of late medieval illumination: deep ultramarine, scarlet, and gilt leaf applied to a parchment base. Figures are rendered with stylized facial features—large eyes and delicate contours—while swirling blue vines and red ornamental flourishes frame the scene, integrating text and image in a harmonious decorative scheme.

History & Provenance

Created for a hand‑copied commentary on Nehemiah, the leaf reflects the manuscript culture of the 14th–15th centuries in which scholarly works were often lavishly illustrated. The manuscript later entered a collection that was eventually acquired by the Metropolitan Museum of Art, where it is now preserved as part of the museum’s medieval manuscript holdings.

Context

Nicholas of Lyra’s Postilla Litteralis was a widely consulted biblical commentary throughout the Middle Ages, prompting the production of richly illuminated copies for monastic and academic libraries. The inclusion of initials such as this “V” illustrates the period’s practice of using decorative letters to demarcate textual divisions and to enhance the devotional experience of readers.

Artist & collection