Artwork
The Annunciation

The Annunciation is a print by the Baroque artist Jacques Callot. It dates from 1634 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
Created around 1634, this print by Jacques Callot is part of the Cleveland Museum of Art’s collection. It presents a compact, intimate scene of the biblical Annunciation, focusing on the encounter between the angel and the Virgin Mary. The composition is restrained, yet the careful rendering of figures and space invites close inspection.
Subject & Meaning
The image captures the moment when the angel Gabriel announces to Mary that she will bear the Christ child. The figures are positioned in a quiet, contemplative setting, emphasizing the spiritual significance of the revelation rather than dramatic action. The work reflects the Counter‑Reformation emphasis on personal devotion and the sanctity of the event.
Technique & Style
Callot employs chiaroscuro, using strong contrasts of light and shadow to model the forms and suggest depth within the limited plane of the print. The delicate folds of the angel’s wings and Mary’s garments are rendered with fine line work, demonstrating the artist’s skill in creating texture and volume through engraving techniques.
History & Provenance
The print was produced in the early 1630s, a period when Callot was active in his workshop in Nancy, France. It entered the Cleveland Museum of Art’s holdings through acquisition in the 20th century, where it remains on view as an example of the artist’s religious output and his contribution to early modern printmaking.
Artist & collection
Artist
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.







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