Artwork

冨嶽三十六景 登戸浦|Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

冨嶽三十六景 登戸浦|Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831
冨嶽三十六景 登戸浦|Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831

冨嶽三十六景 登戸浦|Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is an ink print by the Japonisme artist Katsushika Hokusai. It dates from 1831 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Noboto Bay (Noboto no ura) is a woodblock print from Katsushika Hokusai's series Thirty-six Views of Mount Fuji, dating to circa 1831. It is part of The Metropolitan Museum of Art's collection.

Subject & Meaning

The print captures a tranquil moment in Noboto Bay, with figures carrying goods along a waterside path flanked by two large torii gates, set against a distant, majestic mountain backdrop.

Technique & Style

Characterized by bold lines, vibrant colors, and intricate details, the work showcases Hokusai's mastery of composition and perspective, creating depth and guiding the viewer's eye through the scene.

History & Provenance

Created around 1831, the print is now held in the collection of The Metropolitan Museum of Art.

Context

While often associated with Japanese Ukiyo-e, the print's emphasis on natural beauty and emotional resonance also aligns with aspects of the broader Romanticism movement, though it remains distinctly Japanese in style.

Legacy

As part of Hokusai's renowned series, Noboto Bay contributes to the enduring influence of Japanese woodblock printing on global art, particularly in its depiction of Mount Fuji and everyday life.

Artist & collection

Portrait of Katsushika Hokusai

Artist

Katsushika Hokusai

Katsushika Hokusai spent his life in Edo, now Tokyo, where he drew and carved prints for a living.