Who painted Valley in Bourgogne (Une vallee en Bourgogne)?

Valley in Bourgogne (Une vallee en Bourgogne) was painted by Alphonse Legros in 1874.

Where can I see Valley in Bourgogne (Une vallee en Bourgogne)?

Valley in Bourgogne (Une vallee en Bourgogne) is held by National Gallery of Art.

What movement is Valley in Bourgogne (Une vallee en Bourgogne)?

Valley in Bourgogne (Une vallee en Bourgogne) is associated with Romanticism.

Artwork

Valley in Bourgogne (Une vallee en Bourgogne)

Alphonse Legros , 1874

Valley in Bourgogne (Une vallee en Bourgogne) is an ink print by the Romanticist artist Alphonse Legros. It dates from 1874 and is held in the collection of the National Gallery of Art. Created in 1874, *Valley in Bourgogne* is a print that combines etching with drypoint.

About this work

Overview

Created in 1874, *Valley in Bourgogne* is a print that combines etching with drypoint. The work presents a tranquil Burgundy valley, its rolling hills and a meandering river framed by densely branched trees and a compact settlement beyond the water’s edge.

Subject & Meaning

The composition captures a serene rural scene, emphasizing the interplay of light and shadow across the landscape. The densely tangled foliage and the gentle rise of hills convey a sense of natural vitality, while the clustered village suggests a harmonious relationship between people and their environment.

Technique & Style

Legros employed the fine, incised lines of drypoint alongside traditional etching to render delicate tonal variations. This dual approach allows for crisp outlines in the foreground trees and softer gradations in the distant hills, creating depth and a subtle impression of movement within the static image.

History & Provenance

Born in France, Alphonse Legros moved to London in 1863, where he became a pivotal figure in the British revival of etching. *Valley in Bourgogne* reflects his early interest in landscape printmaking during the 1870s, a period when he was actively promoting the medium through teaching and exhibition.

Context

The print belongs to a broader 19th‑century fascination with the French countryside, especially the picturesque qualities of Burgundy. Legros’s work aligns with contemporaneous efforts to reinvigorate traditional print techniques, positioning him among artists who sought to blend academic training with emerging aesthetic concerns.