The Baptism of Christ

The painting employs early chiaroscuro, with a luminous source from above that highlights the figures against a darker backdrop. The handling of light creates a subtle three‑dimensionality, while the landscape in the distance displays a delicate atmospheric perspective that later critics associate with Leonardo’s hand.

Originally produced in Verrocchio’s studio, the work was later acquired by the Medici and entered the Uffizi’s holdings, where it remains on display. Documentation from the 16th century records its presence in the Florentine collection, confirming its continuous public exhibition.

During the mid‑15th century, Florentine workshops often collaborated on large commissions, allowing masters and apprentices to share tasks. This painting exemplifies that collaborative model, with Verrocchio likely overseeing the overall design while Leonardo contributed specific elements such as the angelic figure and portions of the background landscape.