Egypt and Nubia: Volume II - No. 42, Ruins of Kom Ombo

Created using lithography, the work reflects Haghe's training in both watercolour and lithographic techniques. The piece embodies characteristics of Romanticism, emphasizing emotive and imaginative representation through warm, earthy tones and the juxtaposition of decay with former glory.

Produced in 1838, the print was part of Haghe's contributions to the *Egypt and Nubia* series. Haghe, co-founder of the London-based firm Day & Haghe (established circa 1830), utilized his skills to capture the essence of these ancient sites for Victorian audiences.

The work was created during the early Victorian era, a time of growing interest in antiquity and exploration. It catered to this fascination, offering viewers a glimpse into the ancient world through meticulously detailed lithography.

As part of the *Egypt and Nubia* series, *Ruins of Kom Ombo* contributed to the broader documentation and popularization of Egyptian and Nubian archaeological sites during the 19th century, influencing how these cultures were perceived in Europe.