Artwork
Philip Herbert, Fourth Earl of Pembroke
Philip Herbert, Fourth Earl of Pembroke is an ink print by the Baroque artist Hermann Marx. It dates from 1630 and is held in the collection of the National Gallery of Art.
About this work
Overview
Hermann Marx’s 1630 engraving portrays Philip Herbert, the fourth Earl of Pembroke, as a dignified aristocrat. The portrait is set within an oval frame that includes an inscription, and the figure dominates the composition against a darkened backdrop, emphasizing his presence.
Subject & Meaning
The Earl is depicted wearing a dark coat, a prominent white ruffled collar, and a sizeable medallion, suggesting his high rank and possibly a specific order of chivalry. His serious expression and neatly waved hair convey a sense of authority and composure typical of noble portraiture of the period.
Technique & Style
Marx employs fine, intersecting lines to render textures—from the sheen of the fabric to the subtle shading of the face—creating depth within the monochrome medium. The intricate hatching and careful delineation of details reflect the Baroque emphasis on realism and dramatic contrast.
History & Provenance
Created in 1630, the print was likely intended for circulation among the English aristocracy or as a means of commemorating the Earl’s status. While the original plate’s ownership record is sparse, copies have appeared in several early modern portrait collections.
Context
Portrait engravings of English nobles were common in the early seventeenth century, serving both as personal memorabilia and as visual affirmations of lineage. Marx’s work aligns with contemporary continental practices, integrating Baroque sensibilities into English portraiture.
Artist & collection
