Artwork
The Adoration of the Shepherds

The Adoration of the Shepherds is a chalk drawing by the Baroque artist Agostino Masucci. It dates from 1724 and is held in the collection of the National Gallery of Art.
About this work
Overview
Agostino Masucci’s drawing titled *The Adoration of the Shepherds* was executed in 1724 using black chalk and brown ink on laid paper. The composition presents a modest group gathered around an infant, rendered in a sketch‑like manner that emphasizes line over color.
Subject & Meaning
The scene portrays the biblical moment when shepherds come to honor the newborn Christ. A veiled woman cradles the child, while two men—one with a staff and hat, the other barefoot—stand nearby, and a fourth figure kneels in reverent prayer, suggesting a collective act of devotion.
Technique & Style
Masucci employs rapid, scratchy strokes that convey immediacy, with the chalk and ink intersecting to create shadowed forms rather than detailed modeling. The laid paper’s grain contributes a textured backdrop, and occasional smudging hints at a working study rather than a finished piece.
History & Provenance
Created in the early eighteenth century, the drawing reflects Masucci’s practice of producing preparatory studies for larger compositions. Its survival on paper indicates it was likely retained as a reference or teaching tool, though specific ownership records prior to its museum acquisition are not documented.
Context
The work aligns with Baroque sensibilities that favored dramatic narrative and emotional engagement, yet Masucci’s sketchy execution diverges from the polished grandeur typical of the period, offering insight into the artist’s process and the era’s exploratory drawing techniques.
Artist & collection













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