Who painted massacre of the Innocents?

massacre of the Innocents was painted by Matteo di Giovanni in 1462.

Where can I see massacre of the Innocents?

massacre of the Innocents is held by Alte Pinakothek.

What movement is massacre of the Innocents?

massacre of the Innocents is associated with Early Renaissance.

Artwork

massacre of the Innocents

Matteo di Giovanni , 1462

massacre of the Innocents is an unspecified painting by the Early Renaissance artist Matteo di Giovanni. It dates from 1462 and is held in the collection of the Alte Pinakothek.

About this work

Overview

Massacre of the Innocents is a 1462 religious painting by Italian artist Matteo di Giovanni, housed at the Alte Pinakothek. The work visually interprets the biblical narrative of the same name through a dramatic and chaotic composition.

Subject & Meaning

The painting depicts the violent episode from the Gospel of Matthew where Roman soldiers slaughter newborns in Bethlehem, as ordered by King Herod. The scene focuses on the plight of women and infants under attack, conveying themes of brutality, desperation, and religious persecution.

Technique & Style

The composition employs strong contrasts of light and dark, suggestive of the artistic technique chiaroscuro, which enhances the dramatic intensity of the scene. Figures are rendered in detail, with attention to the textures of clothing, armor, and architectural elements in the background.

History & Provenance

Created in 1462, the painting's provenance prior to its current location at the Alte Pinakothek in Munich is not detailed in the provided sources. It is attributed to Matteo di Giovanni, a figure of the Italian Renaissance.

Context

Painted during the Italian Renaissance, the work reflects the period's interest in biblical narratives and the development of techniques like chiaroscuro to evoke emotional depth. The choice of subject may also speak to contemporary religious or political anxieties.

Legacy

While specific influences or notable exhibitions of 'Massacre of the Innocents' by Matteo di Giovanni are not provided, the painting contributes to the broader artistic and historical record of Renaissance interpretations of biblical themes.